A few ordinary colored slips of paper can be handed to the audience for inspection first. Then, you tear the note into pieces in public and crumple all the pieces into a ball. No covering, no suspicious unnecessary movements. Just a gentle breath can instantly turn the scattered paper pieces into a complete and brightly colored paper ball.
Created by Ethan Yip and Johnny Yip and presented by Illuwizard, Origami Conjuring is inspired by Dan Harlan's original Kamifusen program. However, it is far more than just a simple replica of a single effect.
Ethan Yip and Johnny Yip developed this concept into a complete "tear restore" magic system, centered around cleaner deformation, more natural control, and broader practical applications. From checkable colored paper strips to incredible paper ball deformation, the entire process is straightforward and easy to follow. After the transformation is complete, the performer's hands are completely clean, allowing them to confidently present the final result, while the audience's attention is fully focused on the magic.
The system is not limited to a fixed single program. In addition to visually striking colored paper ball deformation, it can also be applied to napkin tear-up restoration, Chinese Snowstorm, playing card tear-up restoration, and original performers-designed programs. One system, multiple applications. Whether performing in close-up magic, small to medium-sized theaters, or large stages, Origami Conjuring adapts to different venues and individual performance styles.
After watching the project, Dan Harlan enthusiastically recommended Origami Conjuring. He especially praised Kamifusen's interpretation of paper ball deformation, its clean and crisp structure from start to finish, and its creative potential far beyond a single program. Origami Conjuring is designed for magicians who value strong visual magic, practical structure, and original expression. It offers more than just an effect—it's a creative tool you can develop, combine, and incorporate into your own performance. Tear it apart. Crumple it. Give it life. Before the audience's eyes, turning an ordinary shredded piece of paper into a true miracle. Origami Conjuring was originally developed by Ethan Yip and Johnny Yip. Presented by Illuwizard, designed specifically for professional magicians.
Product content
- Japanese paper balloon × 4
- Origami Conjuring System × 1
- Thin paper× 16 sheets
- Red × 4
- Green × 4
- White × 4
- Yellow × 4
The included
program
tutorial teaches four complete programs:
- Tearing paper into paper balls: Tear the inspected colored paper into fragments, then knead the pieces together to form a complete paper ball.
- Chinese Blizzard: Use the Origami Conjuring system to create a visually striking Chinese blizzard ending.
- Tearing paper to reconstruct: tear napkins into pieces and restore them in front of the audience.
- Playing card torn restore: Extend this system to playing cards for clean and direct restoration.
Once you master how to use the Origami Conjuring system, you can also develop your own original effects and programs.
Online video tutorials:
- Spoken language: English
- Subtitles: Chinese and English
Consumables and Reuse
: When used according to instructions, the Origami Conjuring system and paper balloons can be reused for extended periods, provided the finished paper balls are not given to the audience. The only standard consumable in the included set is thin paper. It's easy to get from local supermarkets, craft shops, or Amazon. We also provide official refill packs directly.
Reset time: about 5 minutes.
Difficulty and Performance Requirements
Difficulty level: Intermediate
Recommended for: Living room magicians, theater performers, and grand stage magicians
Beginner suitability: Beginners can master the system
with sufficient practice Clothing requirements: A jacket with chest pockets
is required. Inspectability and cleanliness
are required. Items
that will be torn can be checked
before the program starts. After the exchange is complete, the generated items can be inspected
at the end of the effect. The performers' hands are completely clean
